Peer-Reviewed Journal Articles
Bradley J. Dixon, “Meta Humour in the 1950s Sitcom: Parafiction and Self-Reflexivity in The George Burns & Gracie Allen Show”, New Review of Film & Television Studies 23, no. 2, forthcoming (2025).
Bradley J. Dixon, “Parafictional Persona and Performative Fandom: The Audience as Performer in the On Cinema at the Cinema Universe”, Comedy Studies, forthcoming (abstract accepted).
Bradley J. Dixon, “‘Give Me the Seth Rogen Laugh’: This Is the End and Parafictional Persona,” Popular Culture Studies Journal 7, no. 2 (2019): 25–38.
Conference Papers
Bradley J. Dixon, “Cringe Comedy and the Suspension of Empathy,” Australasian Humour Studies Network Conference, University of Queensland, 7–9 February, 2024.
Bradley J. Dixon, “Parafiction in the 1950s Sitcom: Meta Humour and Self-Referentiality in The George Burns and Gracie Allen Show,” Television Histories in Development Conference, Netherlands Institute for Sound and Vision, 30 September–1 October, 2021.
Bradley J. Dixon, “Friends with Benefits: Neoliberalism and Heteronormativity in the Bromance Film,” Pop Culture Association of Australia & New Zealand (PopCAANZ) Conference, RMIT University, 3-5 July, 2019.
Selected Non-Academic Reviews and Essays
Bradley J. Dixon, “Stanley Kubrick: Order vs Chaos”, video essay, 2018, https://www.youtube.com/watch?v=crQJ45NzIYs.
Bradley J. Dixon, “Jackie Chan: Master of Silent Comedy”, video essay, 2017, https://www.youtube.com/watch?v=GFI6pvOl3YY.
Bradley J. Dixon, “Everyone Has to Cooperate: Nationalism and Victimhood in Grave of the Fireflies,” Bright Wall/Dark Room, no. 45 (March 2017), https://www.brightwalldarkroom.com/2017/03/13/everyone-has-to-cooperate-nationalism-and-victimhood-in-grave-of-the-fireflies/.