Mark Fisher

  • Art and (in)accessibility

    Art and (in)accessibility

    Love this piece in Overland, by Kieran Stevenson, noting the grotesque irony of Julian Rosefeldt’s Euphoria — a purportedly anti-capitalist screed of a film — playing at Melbourne’s bougie marquee arts festival RISING. The worst part of the show’s marketing isn’t encountered until after you decide to leave—attendees must exit through the gift shop, where…

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