Mark Fisher
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Art and (in)accessibility
Love this piece in Overland, by Kieran Stevenson, noting the grotesque irony of Julian Rosefeldt’s Euphoria — a purportedly anti-capitalist screed of a film — playing at Melbourne’s bougie marquee arts festival RISING. The worst part of the show’s marketing isn’t encountered until after you decide to leave—attendees must exit through the gift shop, where… Continue reading